BRETT COLLEY - Artist/Curator/Educator
(S)Edition: Prints as Activism, gallery view (Alan Skees, Michael Barnes)(S)Edition: Prints as Activism, gallery view (Ruthann Godollei, Endi Poskovic)(S)Edition: Prints as Activism, gallery view (Claire Rau) (S)Edition: Prints as Activism, gallery view (David Dubose)(S)Edition: Prints as Activism, gallery view (Claire Rau) (S)Edition: Prints as Activism, gallery view (Eric Garcia, Claire Rau) (S)Edition: Prints as Activism, gallery view (Linda Carreiro, Fanny Retsek)(S)Edition: Prints as Activism, gallery view (Fanny Retsek) (S)Edition: Prints as Activism, gallery view (Frances Myers, Heather Ault)(S)Edition: Prints as Activism, gallery view(S)Edition: Prints as Activism, gallery view (Fanny Retsek)(S)Edition: Prints as Activism, gallery view (Linda Carreiro)(S)Edition: Prints as Activism, gallery view (Xia Gao)(S)Edition: Prints as Activism, gallery view (Xia Gao)(S)Edition: Prints as Activism, gallery view (Lora Fosberg, Abby Sadaukas)(S)Edition: Prints as Activism, gallery view (Abby Sadaukas)(S)Edition: Prints as Activism, gallery view (Tate Foley, Katie Ries, Linsey Tankersley)(S)Edition: Prints as Activism, gallery view (Lisa Bulawsky) (S)Edition: Prints as Activism, gallery view (Oli Watt, Lisa Bulawsky)(S)Edition: Prints as Activism, gallery view (Oli Watt, Lisa Bulawsky)(S)Edition: Prints as Activism, gallery view (Ashley Nason, Cindi Ford)(S)Edition: Prints as Activism, gallery view (Lisa Bulawsky, Christopher Cannon)(S)Edition: Prints as Activism, gallery view
(Michael Mercil)(S)Edition: Prints as Activism, gallery view (Stephanie Standish, Daniel Jasper)(S)Edition, installation in progress, Monroe Avenue Gallery, Urban Institute for Contemporary Arts(S)Edition, installation in progress, Monroe Avenue Gallery, Urban Institute for Contemporary Arts(S)Edition, installation in progress, Monroe Avenue Gallery, Urban Institute for Contemporary Arts(S)Edition, installation in progress, Monroe Avenue Gallery, Urban Institute for Contemporary ArtsHeather Ault, participating artist, (S)Edition: Prints as ActivismMichael Barnes, participating artist, (S)Edition: Prints as ActivismJen Lynn Bates, participating artist, (S)Edition: Prints as ActivismKit Boyce, participating artist, (S)Edition: Prints as ActivismChristopher Cannon, participating artist, (S)Edition: Prints as ActivismCatherine Chauvin, participating artist, (S)Edition: Prints as ActivismNick Danczyk, participating artist, (S)Edition: Prints as ActivismTate Foley, participating artist, (S)Edition: Prints as ActivismCindi Ford, participating artist, (S)Edition: Prints as Activism Lora Fosberg, participating artist, (S)Edition: Prints as ActivismXia Gao, participating artist, (S)Edition: Prints as ActivismEric Garcia, participating artist, (S)Edition: Prints as ActivismRuthann Godollei, participating artist, (S)Edition: Prints as ActivismDaniel Jasper, participating artist, (S)Edition: Prints as ActivismStan Kaplan, participating artist, (S)Edition: Prints as ActivismAaron McCleod, participating artist, (S)Edition: Prints as ActivismRoss Racine, participating artist, (S)Edition: Prints as ActivismFanny Retsek, participating artist, (S)Edition: Prints as ActivismKatie Ries, participating artist, (S)Edition: Prints as ActivismAlan Skees, participating artist, (S)Edition: Prints as ActivismStephanie Standish, participating artist, (S)Edition: Prints as ActivismLinsey Tankersley, participating artist, (S)Edition: Prints as ActivismJason Urban, participating artist, (S)Edition: Prints as ActivismPatrick Vincent, participating artist, (S)Edition: Prints as Activism
(S)Edition: Prints as Activism, 2010
(S)Edition was curated in partnership with the Urban Institute for Contemporary Arts (UICA), Grand Rapids, Michigan. The exhibition featured 70 works by 54 artists from throughout North America.

Curatorial Statement:

Simply put, sedition is activity tending toward the subversion of the established order. This exhibition features a broad range of such activity, presenting us with works that critique the overt and covert actions of corporations and governments, others that raise our consciousness to dire issues facing this planet, and still others that inspire us to use the resources at our disposal to create, package, and share our own ideas – to create our own order.

To some artists, we as viewers become channels of distribution. There are magnets, postcards, and various hand-printed images to be taken freely. These works challenge the familiar gallery experience and undermine the capitalist system itself, rendering those who take the images away complicit in the work.

For more than 500 years, printed images and words have served to mobilize and enlighten the literate and illiterate alike. In a fair and just society, it is imperative that information be accessible to all. Without print technology – the means to reproduce and disseminate information for the masses – democracy would struggle to form, or function effectively.

Our primary sources for news and editorials – internet, radio, television, major newspapers - are increasingly corporatized, governed by greed and partisan interests rather than by conscience or civic responsibility. As a consequence, it is necessary that we - as engaged citizens - find other channels through which to communicate, to express those views too unpopular to make the evening broadcast or Sunday edition. Due to the capacity of printmaking to generate relatively rapid and inexpensive multiples, artists with a desire to give voice to their own concerns and those of others have been drawn to the medium, using it to level their dissent and ask questions.

Without intending to romanticize or diminish the power of a single image to transform culture (a modern day Guernica is always possible!) I would suggest that it is more likely that Art will induce change not through one radical work, but through the assiduous practice of careful examination and critique.

(S)Edition is a showcase of this critical practice. It is testament to the unwavering aspiration of artists to - as renowned historian Howard Zinn suggests - transcend the established framework of society, to think outside the boundaries of permissible thought and dare to say things that no one else will say.

Participating artists:

Heather Ault, Urbana, IL
Michael Barnes, Dekalb, IL
Jennifer Lynn Bates, Des Moines, IA
Kit Boyce, Burbank, CA
Lisa Bulawsky, St. Louis, MO
Brooke Bulovsky Cameron, Columbia, MO
Christopher Cannon, Green Bay, WI
Linda Carreiro, Calgary, Alberta Canada
Kristin Casaletto, Augusta, GA
Catherine Chauvin, Denver, CO
Dale Clifford, Atlanta, GA
Deborah Cornell, Boston, MA
Nick Danczyk, Stevens Point, WI
David Dubose, Lafayette, LA
Carrie A. Dyer, Little Rock, AR
Tate Foley, Athens, GA
Cindi Ford, Byron Center, MI
Lora Fosberg, Bloomington, IN
Xia Gao, Lincoln, NE
Randy Garber, Somerville, MA
Eric J. Garcia, Chicago, IL
JenClare B. Gawaran, Sterling Heights, MI
Ruthann Godollei, St. Paul, MN
Tim Gralewski, Royal Oak, MI
Alynn Guerra, Grand Rapids, MI
Phillip Hua, San Francisco, CA
Daniel Jasper, Minneapolis, MN
Stan Kaplan, Levittown, NY
Andrew Kosten, Evansville, IN
Anthony Lazorko, Mesilla, NM
Steven McCarthy, St. Paul, MN
Aaron McCleod, Duluth, MN
Florence Alfano McEwin, Green River, WY
Daniel Mellis, Chicago, IL
Michael Mercil, Columbus, OH
Frances Myers, Hollandale, WI
Ashley Nason, Dekalb, IL
Endi Poskovic, Ann Arbor, MI
Ross Racine, New York, NY
Claire Rau, Colorado, CO
Fanny Retsek, San Jose, CA
Katie Ries, Knoxville, TN
Abby Sadaukas, Unity, ME
Alan Skees, Pinson, AL
Stephanie Standish, Terre Haute, IN
Bridget Stewart, Overland Park, KS
Linsey Tankersley, Dowagiac, MI
Jason Urban, Austin, TX
Patrick Vincent, Tempe, AZ
Sara Alsum-Wassenaar, Tarpon Springs, FL
Erik Waterkotte, Mankato, MN
Oli Watt, Chicago, IL
Margi Weir, Detroit, MI
Sang-Mi Yoo, Lubbock, TX